Why Grace And Grooves LLC discontinued Better Business Bureau of Dallas Fortworth.

Why Grace And Grooves LLC discontinued Better Business Bureau of Dallas Fortworth : 

Loved, loved and loved the services and perks that we received from BBB, A Better Business Bureau. Past 2 years has been an amazing ride with them with all the wonderful services, workshops and knowledge that they offer for small businesses like Grace And Grooves LLC.

It is when you suddenly realize that you are the only Indian Company offering exclusive indian folk dance classes apart from bollywood and not mix it up anywhere around, and that you are the only one with absolutely transparent background in all the programs that you offer from Bharatnatyam and Bollywood as well, it is a feature on our hats to be connected with BBB, A better Business Bureau.

The only problem that we faced was as we moved further in journey with them, we asked our parents and staff members to write something about how they feel about us on our little place that we earned it from Better Business Bureau as we were with A+ accreditation with them.

It seems like social media such as google, waze, facebook, twitter and instagram took over all of this when it came to customer feeling more at comfort talking about it. Our customers share such a fun and healthy relationship with us that it was better and easier for them to just write reviews over social medias instead of BBB boards.

From ethical grounds, quality of work, affordable services, beautiful costumes, non-allergic jewelry, arangetram preps, continued education in classical dances for various degrees and providing services as promised in the related programs, everything just ended up in social medias, recommendations, emails and text/sms messages.

And thus, we had to let go the better business bureau accreditation at-least until we get students/parents/customers who would not mind spending some time logging to these BBB boards to see our exclusive little place on their website and write something about us-good or bad!

That being said, we still enjoy attending their programs as we come across and available. We miss that tiny little icon of better business bureau and we hope that in near future, we can do something more with them and use them further for our services and products.

Grace And Grooves LLC shared A+ accreditation amongst the BBB businesses from 2016 to May 2018.

But that taught us to give you all what we do best :).

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2018. This material may not be published, broadcast, rewritten or redistributed without permission.
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Grace And Grooves Blog List Of Articles

Grace And Grooves LLC

Blog List Of Articles : (From Newest To Oldest–Scroll Down)

    1. ALL Recitals Of Grace And Grooves
    2. Time-Line of Grace And Grooves LLC
    3. Student of The Year – Updated Annually.
    4. Is Learning Language Required To Learn Dances ?
    5. Journey of Master In Fine Arts….Submitted By Hetal Nagaraj — NEW
    6. Why Grace And Grooves LLC discontinued Better Business Bureau of Dallas Fortworth.
    7. Trained & Untrained Teachers – Difference by Hetal Nagara
    8. Competitions Counted On Our Lists.
    9. Salutations to Darpana Academy of Performing Arts (Ahmedabad-India) & Trainings.
    10. Grace And Grooves LLC, Names, Logo(s) – Updated As Required
    11. Recital 2017: Celebration of Life Featuring JALSO (NRITYA KI MASTI).
    12. Past Interns and Visiting Faculties w/Grace And Grooves
    13. Musical Dance Drama 2017(Public) 
    14. Creative School-Fun Projects
    15.  List of Performances 2015 and Before
    16. Early Training of Our Founding Member-Raised With Standards
    17. Recital 2016 : Dance of Gods Featuring ADI-SHAKTI
    18.  Bollywood Fever…. since 2015
    19.  ELITE: Expensive or Quality?
    20.  Creativity In Performing Arts (Folk): Embrace Or Not?
    21. Our Story – How, when…. Grace And Grooves Started. And Why us ?
    22. 1999…. Entering Freelance Private Group Choreography.  
    23. Past Volunteers And Staff
    24. Dance like nobody’s watching OR dance like everybody’s watching? 

Call NOW : 972 979 2559. or Email: info@graceandgrooves.com

Exclusive Copyrights by Reach Media for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2018.  

This material may not be published, broadcast, rewritten or redistributed without permission. 

When The Team Work Strikes….

This post of blog will be updated on yearly basis w/date of each update.

We love our choreographer’s contributions.

Choreography Works of Hetal Nagaraj : Click Here.(Coming Soon Hetal’s Website!)

When the team work strikes, results are beautiful...No doubt. Choreographers play an important role in any choreography.

Be it Bharatnatyam, Bollywood and Indian Folk Dances–only thing that matters is how it beautifully blends.

As of now, we have on-board-our student choreographers & part-time choreographers. Life has given us short sweet surprises beautifully blended with creativity and zeal to learn and excel.  We are very proud of our choreographers to come a long way in-spite of their own demanding life such as toddler or studies.

Choreography Works With Mansi Chauhan : 

  • 2014 : Mansi Chauhan joined us as a student-intern(as available) under strict supervision of Hetal Nagaraj while dealing with younger-kids and elite students where she made them practice learned work from Hetal right there on the spot or at-times seperate training for her.

  • Student’s life is demanding and thus-she agreed to come whenever she can. She was still learning to teach, deal with kids and students of all ages so a full-time pay was not possible considering the commitment level and drop-in teach class.

  • She assisted Hetal for guided practices for the choreography such as :
    • Private Groups : Boys & Girls Bollywood Medley, All Bollywood. Age 5-7. 
    • Yamuna Tat 2014-2015 : Contributed beautifully towards Pure-Kathak Work and Duet from Trio @Hanuman Temple of Frisco-Texas.
      • Students took 4 hours of Professional Kathak that was independently led by Mansi and improvised by Hetal to get the 30 seconds of Pure Kathak Work-just right!.
      • It was a Semi-Classical Fusion Folk Dance where all the Indian Folk Dance Elements were added by Hetal Nagaraj.
    • IANT 2015. Semi-Classical Fusion Folk Dances of India Glimpse.
      • All Students trained in forms/styles seperately.
    • Nimbooda up-to 2 mins. ​Bollywood Garba (Bollywood Garbha)
    • Bahubali : Bahubali was tough choice to teach. The song for which everybody fought with Ms. Nagaraj for NOT doing it. Eventually, upon strict supervision, they all did it.
      • Every audition was cleared and anywhere it was showcased for competition-it was first place.
    • Mansi took over the practices for all the base work which then had several variations led by Hetal for different events from solo, auditions, & later to adding yoga elements. (Hetal is trained in various Yoga techniques & Meditation for over 6 years from Shri Arvind Kendra-Gandhinagar-Gujarat-India).
    • Various version of Bahubali (in all languages) was then showcased at various events featuring Yoga Exercises, Shiva as special feature, and a Semi-Classical Work was produced all by elite students under direction of Hetal Nagaraj.
    • Later in IANT 2017, it was re-directed by Hetal with all their pre-competition students to include Bharatnatyam, Bollywood and Indian Folk Dances together on one stage for community performances. All performers are in their respective dance forms and styles.
  • Choreography contributions along-with Hetal :
    • Her very first independent contribution with Hetal’s work was from halfway of Nimbooda, some /wApsara and onwards when she was available back to back for couple months.
    • Nimbooda​ : Bollywood Garba(Bollywood Garbha).
    • Apsara Hali : Bollywood Lavani directed by Hetal Nagaraj.
  • Workshops attended under Grace And Grooves LLC at other public events/organized by other dance schools:
  • Independent Choreography of Mansi which Hetal took over for practices & later to competition level :
    • Pinga – 2016-2017 : Bollywood Lavani. Directed by Hetal Nagaraj.
    • Thug Le – 2016 : Bollywood/Indian Hip Hop Summer-Workshop Exclusive.
    • Ramta Jogi – 2017 : Fusion of Contemporary+Bollywood/Indian-HipHop.
  • Direct Independent Competition Submissions (Good Job!):
    1. Thug Le – 2016 : Bollywood/Indian Hip Hop Summer-Workshop Exclusive.
    2. Ramta Jogi – 2017 : Fusion of Contemporary+Bollywood/Indian-HipHop.
  • Solo Contributions as Performer of Grace And Grooves LLC:
    1. Woh Kishna Hai 2016, Iskon of Dallas, Bollywood.
    2. Mohe Rang Do Laal : 2017 Recital-Choreographers Re-treat.
      • Semi-Classical Kathak Bollywood.
    3. Special Appearance in Galyan Sankli w/Pre-competition Team directed by Hetal Nagaraj: Recital 2017.
  • Mansi has also offered a Bollywood workshop at Plano Library for Kids of ages 4-8 years old for a social gathering on behalf of Hetal Nagaraj.
  • Competitions w/Grace And Grooves LLC :
    1. D** – Texas ​Audition 1. Cleared w/ Hetal.
    2. D** -Texas : Audition 2. Cleared Direct.
    3. Sap**** Solos – Both the girls were to go for duet instead they decided to go Solo(s). 2015.
    4. ***i Audition 1 : 3 Solos + 1 Group Cleared w/Hetal
    5. ***i – Audition 2 : 3 Solos + 1 Group Cleared. w/Hetal
    6. ***i –  Audition 3 : 3 Solos + 1 Group Cleared. w/Hetal
    7. ***i –  Audition 4 : 3 Solos + 1 Group. w/Hetal. We missed out on South/State Level.
  • Other PAID Activities To Represent Grace And Grooves LLC at various events :
    1. Workshop@Plano Library. Kids Ages 5 to 8.
    2. Corporate Dance Performances at various corporate or fundraising events such as CRY America(2016), Microsoft(2018) and many others. Attendees from all over world and Dallas Fort-worth Areas.
  • Mansi’s Personalized Page on http://www.graceandgrooves.com : Click Here.
  • Mansi’s Last Day of Work : 31st August 2018.

Choreography Works With Deepthi Chandrasekaran :

  • 2014 Oct/Nov:  Deepthi joined us as a intern (as available as volunteer or in lieu of costume or dance fees & to gain experience) under strict supervision of Hetal Nagaraj while dealing with younger-kids where she would make them practice learned work from Hetal-right there on the spot.
  • Later, in 2015, she moved to teaching adults looking to her choreography level in Bollywood as her schedule demanded breaks such as India trips and taking care of toddler.
  • She assisted Hetal for guided practices for the choreography such as : ​
    • Chalka Re-1: Adults. Bollywood-Rajasthani Dances directed by Hetal Nagaraj.
    • Chalka Re-2 : Adults + Hetal as Indian Folk Dancer : Union of Bollywood & Indian Folk Dances displaying the big-time differences between Bollywood Folk & Pure Indian Folk Dance. Topic : Rajasthani Folk Dances. Directed by Hetal Nagaraj.
    • Manmohini Morey : Pure Bharatanatyam on Shankar Tucker’s Album Song : Manmohini Morey ft. Aditya Rao, Ajay Ravichandran. Directed by Hetal Nagaraj.
      • This work was specially prepared for Recital 2016- a fundraiser for CRY America.
      • All dancers had some classical background in past and were also professionally trained by Hetal and Deepthi with Bharatnatyam techniques for 10 hours plus vigorous hours of practices. This work had also cleared several auditions when submitted for competitions but our adults have been busy with their family plans. Students signed seperate forms & paid seperate fees for these specified hours of work w/practices.
      • Dancers : Hetal, Deepthi, Sindhu, Rashmi.
        • No other students were allowed to participate for this work’s class or even practices.
    • Rang De : Traditional Creative Bollywood Dances.
    • Woh Hai Kisna : Movie-Kisna. up-to 2 mins. Traditional Creative Bollywood.
  • Choreography contributions with Hetal :
    • Her very first independent choreography with Hetal’s work was from half-way of Kisna. Bollywood (Indian Movie Dances).
  • Independent Choreography of Deepthi without Hetal (Good Job!): 
    • Half of Kisna. Traditional Bollywood-Hindi Movie Dances. (Movie:Kisna)
    • Manwa Laage. Traditional Bollywood-Hindi Movie Dances.(Movie:Happy New Year)
    • London Thumakda. Traditional Bollywood-Hindi Movie Dances.(Movie-Queen) but theme-directed by Hetal.
    • Super Machi:Adults(Half). Traditional-Tollywood-Telugu Movie Dances.(Movie-S/o Satyamurthy)
    • Vachinde:Adults. Traditional-Tollywood. Telugu Movie Dances (Movie-Fida).
  • Solo Performances as performer for Grace And Grooves LLC : 
    • Enthoru Mahanu Bhavulu — Devadoothan : Pure Bharatnatyam
    • Woh Hai Kisna : Kisna : Traditional Creative Bollywood.
    • Shabdam- Ayar Sheriyar – Krishna : Pure Bharatnatyam-Shabdam.
    • Subhalakshmi – Natesha Kauthuvam : Pure Bharatnatyam.
  • Personalized Page on http://www.graceandgrooves.com : Click here. 
  • Deepthi’s Last Day of Work : Jan 19, 2018.
  • Deepthi Joined Grace And Grooves LLC again September 2018.
  • Performed For Grace And Grooves w/her own solo work for Mor Bani(Ram Leela).
  • Team Participant at RG2 First Launch Dance For Navratri Tribute.

Deepthi’s Update : Nov 15, 2017,  Feb 1 2018, Oct 3 2018,

{Will be updated as required}.

Choreography With Buvaneshwari Murugan: BuvaneshvariPic

  1. Jatiswaram : Students. Asst. Hetal Nagaraj.
  2. Ganesha Kauthuvam: Students.

Updated : Feb 1, 2018. {Will be updated as required}.

Choreography With Raghu K: Coming Soon.

All the other updates such as coming soon will be updated VERY SOON…

Phone : 972 979 2559.
Email : info@graceandgrooves.com

Blog Post Update: Feb 1 2018. October 3 2018.

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.

 

Past Staff (Volunteer & Paid)

Mrs. Swathi Burra, Irving-Texas :

She was volunteering with us for about 2 full years in lieu of her daughter’s dance fees from 2011-2013 and some months post 2013. 

A fabulous lady who knows how to treat people, understands queries and at times their concerns regarding costumes, jewelry, to just about anything. She has travelled around world and knew pretty much everything that anybody had queries regarding. 

We had people from outside US such as newly moved to US due to Green-Card Lottery, some moved to US on business visa or H1 visa from other countries while some like us who were pretty much settled where we were(Irving-Coppell). Time we needed hand in backstage for costumes, makeup, ticketing, coordinating with organizers-the girl would get it all done. 

We had just registered our company and formation was still going on with lot of other paper-work during that time and our Indian Folk Dances Program was pretty well established with private groups in Irving, Coppell, Valley Ranch Areas of Dallas and Denton County. Some recreational while some only competitions but all just Indian Folk Dances and a few work out groups for moms. Recreational Folk Dances were only names as such because they would not bother to perform in US or anywhere at all or would perform only in Indian audiences in India which made us even more proud when we received compliments and in some cases, some certificates or awards as they would participate in India for various competitions during their visits.

Even after we were registered fully and almost all paper work was done, we were NOT committed to doing any community performances as Indian Folk Dances at competition level or even basic performance took us about fairly 10-12 classes for a good age group of 6 to 10 years. 

It was Ms. Swati’s decision however to prompt us to start Bollywood / Tollywood (Telugu Cinema Dances)/Indian Movie Dances. And our very first Bollywood Group had its very first official performance in IANT which was in 2013 under the name of Grace Creations-our non-competitive performing fusion company. Grace Creation was formed with an inspiration from Indian dance companies in east-coast which Ms. Nagaraj had been following in various social-media channels. Our Students were already trained in Non-Indian Dances from Ballet Academy of Texas, and Coppell Dance Center(Now Prestige Dance Center) and we already had required Indian Dance knowledge of Indian Folk and Bharatnatyam that we needed to create fusion category of dances for creative purposes only.

But that was it, the group then dissolved as nobody was interested in community performances on monthly basis for Bollywood but instead wanted to move to Bharatnatyam when they saw Ms. Hetal Nagaraj teaching some classical work to college students who had come for competition related classes. Some students moved outside city itself. These students were also taking Indian Folk Dance Lessons from us as seperate programs and few were our own existing Bharatnatyam students.

Looking back, if it wasn’t for push of Ms. Burra, we would NOT have initiated the Bollywood-Tollywood or Indian Movie Dances Program and Grace Creations wouldn’t have existed. It is still our non-competing group for Bollywood students where now, most of our Musical Theatre Dances and acts happen.

Thank you Swathi. Her daughter, Srinija Burra was a fabulous recreational Indian Folk Dancer who was accepted in several competitions as Solo dance artist(Age 6) and was important part of our team. She has also won group Indian Folk Dance Competition (Pure Folk and with respected judges/organizers with double degrees in fine arts-very proud of this young lady!). This was with our own other 10 Indian Folk Dance Students who were part of this group. Srinija Burra has also been the student of the year and received discounts on our elite line of costumes rentals and several other perks that we offered from our sponsorships of our dances that time.

Thank you Swati for being one of our best people. We Miss You 🙂 

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.

Dance Projects By Grace And Grooves (Exclusively To Schools Only).

Just as our artistic director Ms. Hetal Nagaraj had the opportunity to learn from her own schools and colleges during her entire academic life, she just follows same here. A little give back to her kids’ schools other than her active PTO involvements such as Vice President PTO, Cultural Committee Coordinator, and Staff-Event Coordinator.

Focusing on just one country(India) is an easy job in India where the diversity/culture in forms of Indian Folk or Cultural Dances makes sense as in regions or states of India when celebrating India’s Independence Day or Republic Day or school annual day. This is not really a possibility in Dallas-Texas charter schools(USA) where every other student studying in school is from the different country with absolutely no common culture grounds! With this global diversities, imposing an Indian Performing Arts or even using Indian music wasn’t a good fit.

But, efforts were paid off when the parents opened their doors to do some creative works as long as it was limited to school environment and shows. Most dancers who joined this program had never danced before or had never even moved themselves to the tunes of music. From selecting the music, costumes, moves and the makeup standards were as per school guidelines. The performance was to appeal not only most/all demographics depending on the school, and the environment but also must fit the guidelines of the school. Dance lessons happened throughout the academic year following the school guidelines and calendar.

Finally, we could get a decent 4-5 min of presentable creative works by the end of the year. Kids loved it and parents admired it.  Grace And Grooves had undertaken these fun creative projects with the following schools:

Below are the pictures of performances from both the schools. These pictures are released based on parent’s consent forms signed exclusively for Grace And Grooves releases Only.

Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2017.  All Pictures posted here are with an exclusive consent of participating students, parents or school staffs. This material may not be published, broadcast, rewritten or redistributed without permission.