Recital 2018 concept and theme was decided in 2016 by Hetal Nagaraj.
The students in beginning of 2017 were actually taught dances like-wise throughout the year covering just the basics staying in their own category.
The whole idea got the shape in October 2017 when a rough playlist was made. A couple of these dances were also showcased in some of local talent competitions (September-October 2017), Diwali Mela(s)-(November 2017) at various places and other local festival stages. And a few of these had already won the awards too such as Pushpanjali, Madhurashtakam (Practice video-Selected for finals).
With all the influences of Non.Indian Culture in our Indian Dances, Dramas and thus our lives, we thought of showing how a life of our next generations that are brought up here. As it says, A=American, B=Born, C=Confused, D=Desis. But for our students of Grace And Grooves, C stands for CULTURED DESI, CLEAR FUNDAMENTALS, AND CRYSTAL CUT Diamond like TALENTS. Talents that can’t be beaten, Talents that can’t be judged with shallow mark-ups or untrained eyes and Talents that can’t be shadowed.
Grace And Grooves is an Indian Dance School where students know difference between Bollywood And Indian Folk Dances, Bollywood And Bharatnatyam, Bharatnatyam and Indian Folk, Semi-Classical And Bharatnatyam too!
So the recital program 2018 of Grace And Grooves had Pure Bharatnatyam that showcased the richness of Indian Classical Dances to Fun Indian Folk, Fusion Folk, Movie Types Semi-Classical Dances infused with & without Desi-HipHop to real semi-classical dances, Bollywood Modern-Contemporary Desi-HipHop Fusions and Folk And the dance dramas inspired from movies such as Bahubali, Veer Zaara & many more.
Grace And Grooves successfully completed NAVARASA as per Natya Shashtra Guidelines in Bharatnatyam, Indian Folk Dances And Bollywood/Movie Dances in 2017-2018 year. All the dances are directed or choreographed exclusively by Hetal Nagaraj unless otherwise mentioned. Our Company Choreographers contributed with dances on Ramta Jogi by Mansi Chauhan and Ganesh Kavtuvam by Buvuneshwari Murugan.
We cannot forget Indian Movies that teaches us to dream big and live-happily ever after within our cultural boundaries—no matter where we go. Thus, our Special Feature of the evening & 90s Tribute was An Exclusive Tribute to Shahrukh Khan of Bollywood – SRK as we know him. It showcased non-stop 11 mins of SRK’s movie dances by around 20+ students and special appearances from Raghu K and Pavithra K. Videos will be shortly available.
Very first time in our recital, we had Guest Choreographers with Rang Barse-Holi Remix Tribute by Ritu Kharbanda and Bollywood Garba on Nagada Sang Dhol Baaje By Mishu Shashtri. Our Guest-Artist this time was a young artist – Arjun Iyer, Age 11 who played various notes starting from National Anthem of USA with music to notable Tamil Songs on Keyboard-Piano and Clarinet. Guest choreographer Ritu Kharbanda contributed with song of Om Shanti Om to our SRK non.stop dance extravaganza as her contribution to salute our King Khan with Harshita and Gargi.
All students, choreographers were acknowledged with participating medals and certificates during the show and later-during the classes. Below are the all the pictures, Enjoy And Don’t forget to sign up for our lessons : www.graceandgrooves.com
Phone : 972 979 2559
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Golden Era of Movies in various Languages : 50s, 60s, 70s, 80s From Semi-Classical Mujras To Desi Hip Hop Infused with various Indian Folk Dances.Concept,Choreography, Choreographer, Direction by Hetal Nagaraj.
Special Thanks To Arjun Iyer, Mishu Shastri, Ritu Kharbanda for their wonderful participation in Recital 2018, A Fusion Life of ABCD.
Special Thanks To :
Kedar Golvelkar For Music on Guitar (Ankhon Mein Teri),
Bhagwat Pandya For Sound Services
Exclusive Copyrights by Reach Media for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2018.
This material may not be published, broadcast, rewritten or redistributed without permission.
Post Updated : March 15, 2018.
BHARATANATYAM, INDIAN FOLK DANCES OR BOLLYWOOD…..Trained, Not Trained : How does it matter ?
Story is all the same….So what’s the difference ? Just read and understand. It is for your child – not for me 🙂
Over the past several years we have come across plenty of untrained dancers/teachers. We needed help too for private groups as our assistants and thus we had an opportunity to get this straight! My job was to not allow them to do those mistakes if they worked under me so they were strictly supervised. Some made it to choreographer’s list while others’ couldn’t because they choose to do it wrong. Thought it will be wonderful way to educate our community to understand what is right and what is wrong—and most importantly-why…..!
How does it matter ? Why not ? Dance — that’s why ? Why don’t you care about HOW your child spends 1 hour/a week for learning to move his body? That’s 4 hours a month we are talking about, a minimum!
Dance is subtle type of sport because all the body movements are cleverly put together to give a good work-out adding nothing but grace and beautiful tone to your body. Ever wondered how some dancers may not have a perfectly toned body but still are able to dance so beautifully and freely? Dance teaches their body likewise. But otherwise, an average person can burn about 100-400 calories in an hour depending on age, dance level, style or form or just be free dances; this without injuring yourself if you do it right. So, why would you NOT consider being taught safely ?
What has safety to do with Indian dances, go ahead…get the read! Here’s major differences I saw amongst 2 different types of teachers around us, irrespective of their work with us.
Trained Dancers/Teachers :
- Trained teachers will teach your child safety-FIRST so that they can dance all their life.
- Trained teachers know practice routine protocols.
- Trained teachers will know in and out of forms, styles and variations or will make efforts to educate themselves even for creative dances.
- Bollywood, Tollywood, Movie Dances, Creative Folk etc. are all creative dances and do not rule out a style or form.
- Do not mistake these as Indian Folk Dances or any means of representation for specific culture or community.
- Trained teachers will never allow their students to go out of form or style in designated dance category.
- Trained teachers will spark your creativity, challenge you and still NOT allow you to get lost in the name of creativity. A fine-line on when you should stop being creative or well–just change the category and name it something else.
- Trained teachers will never allow your child to take a leap when they are not ready.
- Trained teachers will stick to techniques, rules of the art-forms, styles and thus will follow the protocol of teaching right stuff at right time and this will automatically increase the quality of dance with least work. No dance was ever-made to ruin the fun of it or harm anybody.
- Do not mistake curriculum or concepts with fundamentals!
- Trained teachers are often taught performance techniques, stage presence, personality and many such performance attributes as most Indian Performing Arts follow vedas and shastras as their rule book or for inspirations. Amazed to know that our vedas and shastras have these ? YES-they do!
- For the forms and styles that do not follow these scriptures, books or such guidelines-these have NOW matured to a decent level of basic rules to be met to be recognized as that form/style with or without variation and thus given that name!
- Trained teacher’s imagination, motivation, inspirations and decisions are self-driven and will not depend on any factors (irrespective of dirty politics in the name of serving any organization). This includes from opening dance school to providing different services and all the choreography works. All of this is geared automatically from knowledge, years of training and self-made set-goals.
- Other than putting their own practice hours to their respective art-form/style or creative dance, you will not find trained dancers/teachers struggling to do a choreography. They know exactly what they are doing as it is their way of life.
- Trained teachers will not experiment on your child without knowing the setbacks of the choreography for any complex movements.
- Nobody ever likes it when training begins but when trained-they are in love with it & will probably never completely leave it and will be proud of those achievements.
It is not everybody’s cup of tea to stay committed in Indian Performing Arts.
Untrained Dancers/Teachers :
Untrained teachers are often those who love doing it and have no idea most of the times what they do in the name of forms or styles that they claim to do.
- They often get lost in the name of creativity!
- Some experiments are good (not beautiful);some are god knows what!
- Some are pure acrobats, poses or formations and in that—dance is forgotten 🙂
- Untrained teachers will challenge your kids without safety measures.
- RESULT : By the time child reaches their teens or are in 20s-broken necks, bad hips, fundamental mistakes for not doing it in right form/style while practicing the form/styles and that will injure them in later life, wrong body movements leading to serious sprains n leg-pains/ankle pains in later life (mostly for women after marriage or kids), injured interests and certain negativity towards certain dances–all of this resulting into total chaos in their brain about the dances they learned. I come across these fresh college graduates often in various dance competitions where I judge and upon hearing, I feel horrible for them that they have so many physical injuries at such young age and all of them because of dance! Some learned it hard way-how sad.
- And coming back to these untrained teachers, you have one more generation of students who were trained and god knows in what and how ? And they have no idea of what they are doing – Do you want to stop encouraging it, NOW?
- Untrained teachers often rely on online resources as shared knowledge & whatever they can grasp from wherever possible and thus their own knowledge is often shallow. They do not exhibit techniques in their dances.
- I had once a discussion. I was left amazed. Everybody is attracted to beauty-it comes with sacrifices(training). Dance—-Beauty is not by looks-it is by skills. If you are stressing hard on rule 1 of dance to have a beautiful face——-Go, walk the ramp!
- Most of dance make-up is inspired from looks described in relevant dance-characters, obviously being beautiful counts to some level but don’t rule that as first rule of being dancer!
- If you don’t have daughter who is not very beautiful–you would just put her off the dance? really ?
- Even the most beautiful skin color has to put the bharatnatyam makeup onn to respect it. And if you have small or big beautiful eyes–you still have to put those additional eye-liners to give dramatic effects on ur face. They all look the same when dressed up !
- Go visit Kalakshetra Institute of Performing Arts of Rukmani Devi where Bharatnatyam was re-born (Chennai-Tamilnadu, India) and you will see how the basic level of talent will kick your pretty skin color out of your body.
- You will not even blink once looking at the discipline in simple sets of dance sequences.
- Everything is just okay to these untrained teachers in the name of dance even when dance form/style will not give “okay” for it to be in same name. Wait, what ? Role models to kids ? Right!!
- This point had me nuts. I came across an untrained teacher who has this really inappropriate dressing sense on stage for students with respect to their skin color and then the lady mocks them before parents for looking hideous in those dresses. Is this a role model to kids and you are a dance teacher mocking your own kids ? right!
- Untrained teacher don’t do human errors but they do repeated blunders in almost every performances as in fundamentals. At times, these are often not related to any means to form or style. Role model to kids ?
Must include-these are not beautiful blunders but their disastrous mistakes do not represent the dance forms or styles that claim to be so. Our students do those beautiful blunders too but in their own form or styles(LOL).
- Ever wondered-why we NEVER end up making a mistake of stepping out of our form or style? Training….!! Nobody is perfect but come-on, you can’t get an equation right if the formula used is ALL wrong! Role Model to kids ??
- Untrained teachers request to seek private lessons from the child for the sake of putting up their work irrespective of what they are doing. At times, it doesn’t even fall into any category. Where is learning part ?
- These untrained teachers are confused about what they are doing esp. in Indian Folk Dances, and Indian Classical Dances(Bharatnatyam). They often relate to dance as mode of entertainment when today Indian Performing Arts has come to whole different level with enough set of rules to seperate each form, style with or without variation. Audiences were much mature back then as well and so they are now!
- Untrained teachers don’t get things done with techniques and appropriate ways and thus result of class – lame/lousy performances that don’t even show form/style of dance(forget about everything else), Yelling and getting mad at child, shouting, bitching about child, spreading dirty talks of child, asking ur child to shut their mouth when child is expressing pain or something related to dance steps being taught. Role model to kids?? Right…!
- Over-competitive for everything and then loose it. Oh yeah-blame it on kids, their moods, their personal life issues, blaming on parents forcing dance(activities) on kids and we can go on and on!
- Our 2 cents to these kind of untrained teachers—if your life is disturbing you so much then why teach dance and deal with kids & later blame their parents and kids?
- Lack of knowledge or training will put you in such awkward situations that you just can’t handle the pressures of your own field…! Role Model To kids ?? Right.
- These untrained teachers want to do everything that others’ do if by any chance they come across them doing them….Blind cow ?
- Our question to these untrained teachers : Don’t do it if you can’t handle it. Just don’t do it wrong. You are hurting innocents.
Whom do you want to trust your child ? Whom do you want your child to follow as role-model ? Choice is ALL yours.
YOU HAVE ONE UNIQUE CHILD THAT IS YOURS & your child has one body, one life.
IF YOU ARE GIVING YOUR CHILD A GLASS OF MILK AND CALLING IT AS GLASS OF MILK
MAKE SURE YOU PROVIDE YOUR CHILD Right DANCE EDUCATION;
IF YOU WANT TO CALL IT that DANCE !
Oh yeah, don’t get me started on adding chocolate to the milk…I can easily eat that with hot jalebi and Mirchi as a side! I love my life. I can have Dussehra-everyday if that’s when you would prefer to eat this and my family is going to be perfectly fine with it…It is called freedom but I like to keep myself healthy. And it is called responsibility.
Exclusive Copyrights by Reach Media. Written by Hetal Joshi for Community Knowledge and Welfare| Grace & Grooves | Grace Creations | Grace And Grooves 2012-2017 | Mirchi Dance Academy | Nruthyakala Dance Academy. This material cannot be published, broadcast, rewritten or redistributed without permission.
CALL NOW to schedule your class . 972 979 2559. Info@graceandgrooves.com
2017-2018 : Samarth Setty
- His first dance was a valentine dance with girl at the age of 3.5 where he showed his ability to act, dance & make people laugh/smile by showing his natural dance skills, dance etiquettes that were taught to him by his Montessori teachers. Stage presence was natural to him just like his sister.
- Our little macho man had his struggles of taking breaks in learning dance because of his birth weight, body type but he never gave up.
- From a husky body type to making his body a lean-mean fat-burning machine, he has amazed us of what he could do with proper training, discipline and diet plans that his mom prepares for him.
- His official journey of dance training in Indian Folk Dances started at the age of 6, Bharatnatyam at the age of 7, Bollywood at the age of 7 and then he never looked back! Prior to these years, he would appear on stage as side/back stage-dancer.
- Amongst all our girls, at times he is the only Krishna, Shiva, captain, our Rahul who comes to save the day for lot of our group dances even when he is not dancing for full song. At times he is not instructed of what he needs to do except for dance steps if they were to match with group..it comes out naturally to him, without training and knowledge of dance forms/styles.(Environment)
- From group dance dramas to Solo(s) in Bharatnatyam, Indian Folk Dances and Bollywood/Movie Dances, he has done it all. He has successfully performed, competed and won competitions as solo artist from 2nd place to 3rd place with only 1 hour a week of dance lessons.
- His training teachers are : Buvaneshwari Murugan & Hetal Nagaraj for Bharatnatyam, Indian Folk Dances-Hetal Nagaraj, Bollywood-Hetal Nagaraj and Mansi Chauhan. His workshops include : Intermediate-Advance Workshop with Shakti Mohan.
- He is a perfect example of perseverance, inherited natural talent, stage presence and a best example for kids who feel like giving up, only because of body-type.
- He receives photo-shoots worth $250, competition discounts and several other perks from our participating businesses.
- Updated-Feb 13, 2018.
Ashna Pethe – 2016-2017
- From recreational dancer(Age-10) to now our elite team dancer and this years’ 1st
prize winner in Non-Classical-Category(Bollywood). Lewisville-Texas. Now 13.
- Locations of Workshops, Performances & Competitions : Southlake-Texas, Irving-Texas, Dallas-Texas, Lewisville-Texas, Frisco-Texas, Plano-Texas, Carrollton-Texas.
- Ashna won A $200 gift hamper that includes a photo-shoot and a FREE professional profiling and several free perks from Grace And Grooves LLC.
- A perfect example of no short-cuts to success and yet balancing it beautifully with unbeatable graceful performances.
- She has bagged 1st place in non-classical category and has cleared several competitions in state of Texas. (Update-September 29, 2017).
- Ashna dances 1-2 hours a week Bollywood at Elite Level w/Elite Team for Grace And Grooves, paid and unpaid performances.
- She has taken advance workshops with Hetal Nagaraj, Mansi Chauhan And Shakti Mohan for Indian Folk Dances, Professional Bharatnatyam, Professional Kathak and Contemporary.
Diya Kadiyala, 2015-2016.
- First Indian Folk Dance Solo Artist under the age of 5 (under official company name Grace And Grooves other than Nirja Setty) successfully performed 3.2 minute of Indian Folk Dance. Twice!!
- Audience : 100 People. Selected/Cleared Auditions for 2 different competitions in 2015. Irving-Texas. Age 4.5. Now 6.
- Locations of Performances : Irving-Texas, Dallas-Texas, Frisco-Texas.
- You are a perfect example of following directions just as taught at such a young age that too in Indian Folk Dances.
- Diya took Free private classes(2) worth $50 during the regular classes. A Free costume rental on our elite line of costumes and a waive off on registration fees for second year. ($30).
Nirja Setty, 2014-2015.
- Winner of 6 (now 6) technique focused Indian Dance Competitions in Indian Folk Dances, Fusion and Bharatnatyam(2016).
- Nirja won Free Costumes and Jewelry from one of our friend-sponsors worth $100. Free Tickets to concert-$30.
- A girl known to challenge judges’ knowledge in competitions as compared to her age group. Irving, Lewisville-Texas. Age 9. NOW 11.
- You are a perfect example of perfect expressions/looks in Indian Performing arts-anytime a picture is taken and yet it just as graceful and beautiful. All of this with a beautiful balance in life!
- Her average competition prize money amounted to $200-$300 by 2015 in various school competitions for Bharatnatyam and Indian Folk Dances.
- Nirja regularly dances 1-hour a week in : Bharatnatyam(in 2 styles), Bollywood and Indian Folk Dances with Hetal Nagaraj and Alpana Jacob (outside Grace And Grooves LLC).
- Locations of Workshops, Performances & Competitions : Southlake-Texas, Irving-Texas, Dallas-Texas, Lewisville-Texas, Frisco-Texas, Plano-Texas, Carrollton-Texas, Allen-Texas, Coppell-Texas, Grapevine-Texas, Flowermound-Texas, Arlington-Texas.
- She has taken advance workshops with Mansi Chauhan, Hetal Nagaraj and Shakti Mohan for Professional Kathak and Contemporary. She has also danced National Level Competition Fogana 2013 w/Indu Mangrola-Sursangam Dance Company.
Srinija Burra, 2013-2014 :
- Outstanding Recreational Indian Folk Dance Artist – (Solo) Recreational Folk Program.
- Audiences from 100 to 500 People. Irving-Texas. Age 6. NOW 11.
- Srinija won Free Customized Costumes from our elite line of costumes and Free Tickets to performances worth $75.
- Won competitions with Grace And Grooves LLC as in group for Indian Folk Dances held Dallas-Texas at Coppell-Texas, Plano-Texas, Allen-Texas.
- Locations of Performances & Competitions : Southlake-Texas, Irving-Texas, Dallas-Texas, Lewisville-Texas, Frisco-Texas, Plano-Texas, Carrollton-Texas, Allen-Texas, Coppell-Texas, Grapevine-Texas, Flowermound-Texas, Arlington-Texas.
- Selected in several auditions and competitions for Solos. Selected by several media and top-notch family/event/corporate-dance and professional photographers for individual profiling/close-ups during our community performances without our telling them or informing them. She was also part of Fusion team being an avid gymnasts student. Click here :
- You are a perfect example of perfect expressions/looks anytime a picture is taken and yet it just as graceful and beautiful.
Congratulations to ALL our students of the year!
Thank you for working hard with us…
This post will be updated once a year. Our year goes from August To May.
Post Updated History : Published First on this Blog in September 25, 2017.
Pictures posted above are either past or present students of Grace and Grooves & their pictures are shared based on their exclusive photo sharing rights and approved by parents when shared/transferred to Grace And Grooves for the purpose of Grace and Grooves ONLY.
Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.