Grace And Grooves LLC, Names, Logo(s):

Everybody in this world has their inspiration from somewhere or something. So do we and all our names. Just out of sky it did not come in our mind to get these names on our paper to register them as our own. With so many theories out there about names, we had to clear our own lists of all the DBA(s), Logo(s)….

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Our Logo in 2012. It had variations such as Grace And Grooves, Grace n Grooves, Grace Grooves, Grace & Grooves, etc.

Grace And Grooves LLC (2012) : This is sort of like additional information on how we got our name. As shared in link above on Grace And Grooves LLC(2012), we got our name from audiences. Topic 2 From Here.

Here’s little more to nail-biting situation we were put through for name!

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One of other variation that was used…2012 onwards.

 

 

We had unexpected challenges during this walk-in competition. When asked what dance company it was–we did not have a name back then. We did not know what to answer. We wondered, why was it required to put a name when organizer did not disclose such a thing before the event as a basic requirement and just took us in to compete.

Grace, poise, artistic choreography never fails to sell itself. This was compared to a youtube copied choreography that had over a million views 🙂 It had us worried for a while until we heard that we received 1st place award. We were told to give some name by the end of event and when the results are announced(if we win!) so that they can address it as we were the ONLY people there who did not have name there. They seemed to be against participants that were not registered.

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Our New Logo in 2015 September that we got made for Indian Folk Dances, Bharatnatyam and Fusion Dances. Bollywood was not really program back then. We started Bollywood off-late after September and logo was already done by then!!

An American Indian (well, married to Indian 🙂 complimented our parents and students that she did not understand language or meaning of song but choreography was so beautiful that it touched her heart.

She mentioned specifically which sequence of dance it was upon asking. The song was about relation between Meera(a devotee of lord krishna) and Lord Krishna that was well-read to audience before the song. But, the ending dance sequence when Meera looses her presence in materialistic world in Hare Krishna Dhun (chants with complete submission to the lord Krishna). This dance was performed by Nirja Setty and her school friend (name disclosed on request) in our own designed Kerala Style Tissue Pattu Pavadai. Cloth for this costume was specifically shipped from India (on request of-course) and re-stitched, re-designed for these girls in the City of Irving-Coppell,Texas USA. She said, the dance brought tears in her eyes. Our Success! After hearing compliments from this young lady, we named ourselves–Grace And Grooves when they called us on stage to receive our award-1st place. It was instant. We loved the name that we accidentally spoke out! Comments by the judges : Beautiful Choreography, Dramatic Appearances, Nicely done, Beautiful costumes/props and compliments such as how did you do such a beautiful dance choreography on this song! We always get that & happy to hear one more time 🙂

Both students were learning Bharatnatyam with us and Indian Folk Dance(Pure) towards common goal of having them compete in a competition as duet, if the audition process goes well. And, we were waiting to hear the results. Meanwhile, we came to know of this competition and we walked right-in when we heard walk-ins are welcomed. This choreography work has won several awards in competitions, at times-back to back. Nobody gets tired of it :). We hear the same thing–how did you do it!

CALL NOW 972 979 2559 or Email : info@graceandgrooves.com

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Grace Creations Logo that was created much later. Before that, several works were done in fusion dances.

Grace Creations(2013) : A name that was a direct inspiration from an Indian artistic dance company in east-coast of United States. We were in love with it the day we came across them through a friend. We were shown their you-tube videos when our friend saw Mrs.Nagaraj’s semi-classical work performed by her own self. Our other inspiration was Indian Dance School(In Georgia, USA) for their beautiful unique fusion works. Very artistically done and both of these are Bharatnatyam based Indian Dance Companies. And we started following them but with our own artistic, innovative ways and we infused lot of other styles, forms of dances as well–at times within the limits of form or style while the other times-totally off-limits. All students however were trained in their forms and styles to maintain their commitments. All our fusion choreography work often performs under the label of Grace Creations. Grace Creations will perform in later years next and is currently on vacation :).

CALL NOW 972 979 2559 or Email : info@graceandgrooves.com

Nruthyakala Dance Academy(2017) : The word comes from words Nruthya (or Nritya meaning dance) and Kala meaning Art. We had in mind several other names but we needed a name that goes for both the dance forms – Bharatanatyam and Indian Folk Dances(India). Main idea was to have Nruthya(Nritya meaning Dance) that is combination of Nritta and Natya – both;thus separating these two beautiful forms from all the other programs that we offer. Eventually, it may happen that Bharatnatyam and Indian Folk Dances may operate separately but until then this is it-we loved this as it best-fits our need!

CALL NOW 972 979 2559 or Email : info@graceandgrooves.com

Mirchi Dance Academy(2017): This word was decided last year! Very well, it came from Red Chillies Entertainment (An Entertainment Company in Mumbai, India). Mirchi(meaning hot pepper/chillies) is always a must have in plate if you have roots from Kathyavaad. Coming from hybrid-gujarati family, we were born eating tasty peppers/chillies with our all-time favorite theplas, stuffed paranthas or bajri-rotlas with all the other goodies. Some habits don’t go, they say! From our food plate to our DBA name. And you thought we don’t love Bollywood :)…Yes, bring it onn. It is tasty!

Date: August 15, 2017.

Exclusively written by Hetal Nagaraj. Copyright Reach Media for Grace And Grooves | Grace Creations | Nruthyakala Dance Academy | Mirchi Dance Academy | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.

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Salutations To Darpana Academy of Performing Arts (Ahmedabad-India) & Trainings :

1007614-medium190apAbout Darpana Academy of Performing Arts of (Ahmedabad-India) & Trainings :

1949 : Darpana was established as a dance academy by Mrinalini and Vikram Sarabhai. For nearly two decades it taught classical dance.(1949-1969). With Mrinalini as the lead dancer, and Chatunni Panicker as her partner, the Darpana dance company toured across the world. A few years later the great Kuchipudi guru, C R Acharyelu joined the faculty.

1960s : Darpana added departments of Gujarati theatre and puppetry under the inspired direction of Kailash Pandya, Damini Mehta and Meher Contractor. These departments taught and had performing groups that established names for themselves. Gujarati theatre was revived as was the folk form of Bhavai, and many other declining forms from across the country. The Andhra shadow puppets found a new lease of life.

1970s : Thousands of students were studying BharataNatyam, Kathakali, Kuchipudi, Mohiniyattam, Vocal and Instrumental Carnatic music, Puppetry, Bhavai and Modern Theatre. Many of the faculty members got involved in using the arts to tackle every day issues and prejudices. And Darpana grew.

1977s : Mallika Sarabhai took over as Honorary Directory.

1980s : Darpana for Development was established to focus attention on creating behavior change communication through the arts with Kailash Pandya and Mallika taking the lead. Government departments, Ministries and other non governmental agencies began partnering D for D to educate the public in issues of health, education and empowering women. Over the next two decades D for D became the fastest growing segment of Darpana, creating powerful communication that reached hearts and minds.

1994s : Darpana’s Amphitheatre Natarani, Gujarat’s only state-of-the-arts venue came into existence to give local audiences the opportunity to see world class performance, and to give artists a platform to build on. Each year Natarani presents close to 80 events, including dance performances, concerts, plays, cultural programs and films. Natarani’s café offers young writers, poets or music groups its space to hold informal performances, jam sessions and readings. The open gallery space allows Natarani to host thematic events encompassing live performances, craft demonstrations and sale, sculpture and painting exhibitions and specialty food at the café go with the theme.

1999s : When Darpana turned 50, all the Founder’s dreams had been fulfilled and over 20000 students had streamed through the institution. In a major reorganization, the teaching of the arts were put on a back burner and new collaborations, technological innovations and the use of the arts for social change took center stage.

2001s : Yadavan Chandran started Darpana Communications to explore the use of television and film for social change. Over the next decade the department produced and broadcast more than 2000 hours of programming, much of it path breaking in its innovative use of audience participation and in using popular genres to introduce taboo subjects. Recently Darpana for Development and Darpana Communications were merged to become Darpana for Change.

Indian Folk Dances, Bollywood and Bharatnatyam

Bollywood, Bharatnatyam and Folk Dances of India, Hetal Joshi Nagaraj

2014 & onwards : Revanta Sarabhai took charge of the teaching wing, the Conservatory, to revitalize it. This department now runs short and long term courses in classical dance and music, theatre, martial arts and a variety of other forms.

Natarani hosts seven major international festivals every year:

* Sunday to Sunday Theatre Festival – October 5 to 12
* Naada Music Festival – November 13-16
* Women at Work Festival – November 28-30
* InterArt, The Vikram Sarabhai International Arts Festival – Dec 28-30
* Cinema of Resistance – January 23-26 . .

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Our choreography works from past trainings

* Festival of Nonviolence – Jan 30-Feb 2
* Celebrating the World of Dance – Apr 1-6

Over the last 20 years of it’s existence, Natarani has presented performers like Aditi Mangaldas, Amjad Ali Khan, Anahita Uberoi, Anupam and Kiron Kher, Anuradha Kapur, Astad Deboo, Atul Kumar, the Auroville Dance Company, the Cartoon Sardine Theatre, Fazal Qureishi, the Garlic Puppet Group, Javed Akhtar, Louis Banks, Shivamani, Niladrikumar, Mynta, the Paul Taylor Dance Company, Rahul Bose, Ramdas Padhye, Raman Kutty Nair, Daksha Sheth, Rohini Hattangady, Ronnie Govender, Shabana Azmi, Shovana Narayan, Shubha Mudgal, Tom Alter, Usha Ganguli, Vibha Mishra, Zakir Hussain, Indian Ocean, Deepti Naval, Nandita Das, Zohra Sehgal and many others.

No other private arts institution in India had the facilities available at Natarani. The campus, the theatre, the artists, the technical equipment, the rehearsal rooms, the library of books, music and videos, the workshop, and perhaps most significantly the mind set. This made it unique for opening it out to the artists and creators of the world who wanted to break out of technique bound institutional or performance set ups and have the possibility of working with artists of different trainings, nationalities, sensibilities and goals.

Our Founding Member

Solo-Irving, Duets-Plano, Solo-Fortworth. Choreography Work from past trainings. 1999, 2000. Gujarati Theatre Dance Skit.

Grace And Grooves thanks Darpana Academy of Performing Arts for sharing their beautiful journey of performing arts under the leadership of Guru Smt.Mrinalini Sarabhai and Guru Smt.Mallika Sarabhai. This as well reflects in quality, technique focused environment pertaining to style or form and above all-commitment and discipline to form/style. 

The above article is being submitted by Darpana Academy of Performing Arts, Ahmedabad-India to Grace And Grooves to provide knowledge about institute’s premier setup in Ahmedabad-India. Ms. Hetal Nagaraj has taken several trainings (1999, 2000, 2015) in various Indian Folk Dances, Puppetry and Gujarati Theatre at Darpana Academy of Performing Arts from some of the most renowned artist that visit the institute for teaching their speciality. Some of these choreography and conceptual works were also performed before and after Grace And Grooves was registered with state of Texas as a LLC and were reproduced as direct replica of her trainings at Darpana Academy of Performing Arts(Ahmedabad). While a few of the choreography work-ideas from Darpana students’ showcases (of 1999, 2000, and 2001) have inspired Mrs.Nagaraj to use the very same in Bollywood, Bharatnatyam and other Classical Fusion works (Kalakshetra Style or with multiple styles of Bharatnatyam, and Kathak). All with required trainings without forsaking fundamentals, practical approach and creativity. 

Be it for fun or competition–it is all about what you take home once the training is done.

We, at Grace And Grooves choose to provide the very same quality, commitment and creativity without forsaking the fundamentals of dance forms or styles. Students are taught to practically apply choreography work in their specified dance forms or styles and Indian dance categories(if-competitions). Knowledge of various vedas, shastras, epics versions, access to culture books, translations and history books are open to students who would like to study in-depth. Fusion works, musical theatre are taught in their own category of dance forms or styles. It is due to hard work and in-depth interest, that Mrs. Hetal Nagaraj has gained some of the finest knowledge and books from various parts of India during her extensive travels all over India for her education in various fields(including dance) and for the love of travel! While some books and mentorship were gifts from her dance guru(s), instructor(s) and Sanskrit professors at various institutes/universities/department of tourism(state & India) or performing arts related associations.

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Bharatnatyam Solo 2008-2009 in Irving Texas. Repeated again in 2012-2013 in Grapevine Texas.

When you take Indian Folk Dance Classes from Mrs. Hetal Nagaraj in Dallas-Texas, the history of culture with related Indian Folk Dance variations, styles, costume & prop- guidelines, with required rules associated with dance form or style is very much part of program as per region and state wise – Both! Props making(if not available in market) & puppetry(-includes making them-) is also taught wherever applicable; knowledge of which she has inherited from her own mother who was volunteer teacher in local drama plays and schools in which folk dances were prominently showcased as part of entertainment on regular basis.

Her drama-plays included a full routine of dance performances in Indian Folk Dances on Indian festivals and subjects such Ram Leela, Krishnasthami(Janmashtami), Shivratri, Onam, Sankrant(Makar Sankranti), Dussehra(with 9 days decors), Women’s Empowerment, Diwali Decors, Christmas Plays, Lezim, Lavani and many others to include which are taught today also at Grace And Grooves Indian Folk Dance Classes or Musical Theatre (wherever applicable, as per need) as part of various programs.

Possibilities are endless with trainings as they come with practical safety guidelines for each form or style. This allows you to showcase endless creativity and still stay within the form or style.

 For No Dance Was Ever Made To Harm And Dance Is Beautiful With Creativity!

Just don’t forget what you were dancing out there in the name of creativity.

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Performances 2015-2017. Works of other renowned bharatnatyam guru(s) and Indian Folk Dancers from straight trainings. Elite Students and Hetal Nagaraj.

This above timeline was submitted by Darpana Academy about Darpana Academy to Grace And Grooves. September 2015.

Copyright Reach Media for Grace And Grooves | Grace Creations | Nruthyakala Dance Academy | Mirchi Dance Academy. 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.

 

 

Past Staff (Volunteer & Paid)

Mrs. Swathi Burra, Irving-Texas :

She was volunteering with us for about 2 full years in lieu of her daughter’s dance fees from 2011-2013 and some months post 2013. 

A fabulous lady who knows how to treat people, understands queries and at times their concerns regarding costumes, jewelry, to just about anything. She has travelled around world and knew pretty much everything that anybody had queries regarding. 

We had people from outside US such as newly moved to US due to Green-Card Lottery, some moved to US on business visa or H1 visa from other countries while some like us who were pretty much settled where we were(Irving-Coppell). Time we needed hand in backstage for costumes, makeup, ticketing, coordinating with organizers-the girl would get it all done. 

We had just registered our company and formation was still going on with lot of other paper-work during that time and our Indian Folk Dances Program was pretty well established with private groups in Irving, Coppell, Valley Ranch Areas of Dallas and Denton County. Some recreational while some only competitions but all just Indian Folk Dances and a few work out groups for moms. Recreational Folk Dances were only names as such because they would not bother to perform in US or anywhere at all or would perform only in Indian audiences in India which made us even more proud when we received compliments and in some cases, some certificates or awards as they would participate in India for various competitions during their visits.

Even after we were registered fully and almost all paper work was done, we were NOT committed to doing any community performances as Indian Folk Dances at competition level or even basic performance took us about fairly 10-12 classes for a good age group of 6 to 10 years. 

It was Ms. Swati’s decision however to prompt us to start Bollywood / Tollywood (Telugu Cinema Dances)/Indian Movie Dances. And our very first Bollywood Group had its very first official performance in IANT which was in 2013 under the name of Grace Creations-our non-competitive performing fusion company. Grace Creation was formed with an inspiration from Indian dance companies in east-coast which Ms. Nagaraj had been following in various social-media channels. Our Students were already trained in Non-Indian Dances from Ballet Academy of Texas, and Coppell Dance Center(Now Prestige Dance Center) and we already had required Indian Dance knowledge of Indian Folk and Bharatnatyam that we needed to create fusion category of dances for creative purposes only.

But that was it, the group then dissolved as nobody was interested in community performances on monthly basis for Bollywood but instead wanted to move to Bharatnatyam when they saw Ms. Hetal Nagaraj teaching some classical work to college students who had come for competition related classes. Some students moved outside city itself. These students were also taking Indian Folk Dance Lessons from us as seperate programs and few were our own existing Bharatnatyam students.

Looking back, if it wasn’t for push of Ms. Burra, we would NOT have initiated the Bollywood-Tollywood or Indian Movie Dances Program and Grace Creations wouldn’t have existed. It is still our non-competing group for Bollywood students where now, most of our Musical Theatre Dances and acts happen.

Thank you Swathi. Her daughter, Srinija Burra was a fabulous recreational Indian Folk Dancer who was accepted in several competitions as Solo dance artist(Age 6) and was important part of our team. She has also won group Indian Folk Dance Competition (Pure Folk and with respected judges/organizers with double degrees in fine arts-very proud of this young lady!). This was with our own other 10 Indian Folk Dance Students who were part of this group. Srinija Burra has also been the student of the year and received discounts on our elite line of costumes rentals and several other perks that we offered from our sponsorships of our dances that time.

Thank you Swati for being one of our best people. We Miss You 🙂 

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.

Recital 2017: JALSO (Celebrations in Life) Nritya(Dance) Ki Masti (Fun). April 9.

Recital 2017: JALSO (Celebrations, Absolute Fun-in Life)-Nritya(Dance) Ki Masti (Fun). Venue: MCL Grand Theater, Lewisville-Texas. April 9, 2017. Why Jalso, Nritya Ki Masti ? Our Story.

Grace And Grooves Annual Events Recital 2017


April 9, 2017 Jalso : Nritya Ki Masti Initial Flyer with Ticket Information.

 The idea of the name JALSO = famous Gujarati Festival that’s happening in Mumbai(India) for a few years now. It got our attention in 2016. Our performances had festivals, marriage celebrations, life-events as per Indian life(Country-India) especially for those who have been settled here (-in Dallas Fortworth Areas aka NRIs-Non Resident Indians) for generations now.

<<<<<<<< Our Initial Flyer w/Ticket Information<<<<<<<

Recital 2016 – Adi-Shakti was a fundraiser for a targeted amount to CRY-America Inc and thus had a line of sponsors, good advertisements, tickets, donations, fashion show, sponsored costumes for our guest artists from premium clothing boutique as well as our own costume line. However, our initial plan for Recital-2017 was to do a full ticketed event of Bharatnatyam and Indian Folk Dance showcase name “Nrutya Ni Masti”. We have also taken re-publishing rights from Bharatnatyam dance schools from east-west coasts in United States. Using only Nritta or Natya was not an option and so Nritya/Nruthya/Nrutya it was! (however, you want to spell-check the name.)

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But as the year 2016 ended, we faced unpredicted challenges and eventually, Bollywood was added to this event. This is in spite of the fact that our Bollywood students had a full-length of the playlist to go on stage as a separate ticketed event (Jalso as we had planned it initially) with the quality you would expect to pay for! Same was w/Indian Folk and Bharatnatyam. Either way, Lemonade was tasty.

On a good note, we completed NAVARASA in one program itself and that too in different categories breaking our own record of 2016.<<<<<<>>>>

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Recital 2017, Jalso-Nritya Ki Masti

 

 

 

 

We had few sponsors on the list such as Sheetal’s Mehendi Arts, Jazz It Up Inc, and The Grace Effect to go with our Mehdi ceremony theme dances. Sheetal’s Mehendi Arts specializes in Mehendi/Henna services for all occasions such as Mehdi Nights, Bridal Mehendi/Henna, BabyShowers, Marriage Functions/Parties, or just Henna Tatoo for entertainment purposes. 

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Nruthya Ki Masti, Recital 2017, Jalso Indian Folk Dances, Bharatnatyam, Bollywood

Jazz It Up Inc. is our own costume & dance prop services for our Competition Dancers-Elite and Pre-Competition Teams. At times, we rent our costumes to outside students depending on availability. Custom Stitched Costumes usually take a month of time if you want to order!Coming back to our Recital 2017 Event, dances were featured in Bharatnatyam, Bollywood, and Indian Folk Dances with students trained in their respective categories from ages 5 to 40.

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Allaripu and Jastiswaram Bharatnatyam Recital 2017, Jalso Nritya Ki Masti. Pictures provided by Parents or our audiences

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Recital 2017, Jalso-Nritya Ki Masti. Celebrations in Life

Our Choreographer’s Retreat had Hetal Nagaraj, Mansi Chauhan and Deepthi Chandrasekaran showcasing dance forms and styles.Our intern-faculty Shruti was to perform as well but happen to missed it! We missed Buvaneshwari Murugan at the event when her very first male student performed a full-length of Jatiswaram in Bharatnatyam of minutes 5:26 under the guidance/assistance of Hetal Nagaraj at the age of 10. 

Our students from Irving-Texas, Plano/121-Texas, Lewisville-Texas, Frisco-Texas performed in their respective categories for Nritya Ki Masti-Jalso, Recital 2017. Students were rewarded with participation medals 2017 and our student of the year Ashna Pethe was acknowledged for her achievements w/trophy and the gift voucher. All our choreographers were acknowledged for their efforts and students were introduced with their individual achievements.

Recreation Students(Southlake), Summer Workshop Students(Grapevine), Private Class Students (Carrollton, Dallas, Irving, and Frisco) Community Folk-Workshop Students(Frisco East, West, Lewisville) or Our Couples Retreat Students(Irving, Dallas, Plano) DID NOT participate in the recital. We missed their showcases, big time!

Grace And Grooves, Recital 2017-Nritya Ki Masti had photography services from Bombay Photography, and Videos were taken by The Grace Effect – our own company photography/videography services.The Grace Effect is exclusive to the students, participants, and choreographers of Grace And Grooves ONLY. The Grace Effect is under the supervision of Mrs. Hetal Nagaraj or Mr. Nagaraj Setty and they have never worked for anybody in past when it comes to any photography or videography services for any volunteer or paid services or even on a friendly note. 

Needless to say, Recital 2018 name has been decided already 😉

Below are some more picture collages that we received from our parents and clips screen-shots from our recital dance videos taken by The Grace Effects. 

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Allaripu, Jatiswaram, Varnam-Level Jalso-Nritya Ki Masti Recital 2017, Choreographer’s Retreat

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Congratulations to Deepthi on her very first adult batch/class for Recital 2017, Nritya Ki Masti for Grace And Grooves.

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Congratulations Deepthi on her very first adult batch/class for Recital 2017, Nritya Ki Masti for Grace And Grooves.

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.

Past Interns,Visiting Faculties :

Here’s the list of past interns who did some classes and performances for us as Grace And Grooves. We thought it would be a great idea giving them credits here as their little contribution towards Grace And Grooves had opened doors to other possibilities. No effort can go to waste!

We have surprised ourselves just as the word The Impossible as I M Possible even by following the rules of Indian Dances and yet we took a step ahead than the norm and yet managed to stay in the category! That’s fun. Serving to knowledge and knowledge only helps to achieve! The magic of training can take you to the heights of enjoying the form or style with unlimited creativity without harming anybody, it is so true! Gaining knowledge through training has helped deal with pressures and proper understanding of body mechanics.

When we say intern-choreographer, it means:

  1. They were working for us either voluntarily or were the part-timers or had occasional official commitments with us as per our mutual understanding and contract.
  2. They had given us full rights for publishing their pictures, videos and all that they had submitted to us to advertise their specialty or workshops either as the independent choreographer or as our own contracted choreographer.

If the names aren’t mentioned here then it only means that

  1. they have not met our expectations to teach our students after their showcase performance (Their performance did not represent Grace And Grooves).
  2. OR they have not worked for us in past at any given point of time.
  3. OR It did not materialize to the level where they officially committed to us, by signing the contract with Grace And Grooves
  4. OR officially they did not submit their videos or pictures to us for either advertising their workshops or their specialty.

Grace And Grooves is a registered business with the State of Texas as an LLC.

Thank you to each one of you for being part of our rich history that’s always in making! shruti

  1. Ms. Shruti Sheladia: She was amongst very first intern-choreographer who joined us amongst our very first batches/classes as an intern. She offered some Beginners’ Bharatnatyam Classes and did a few performances for us. Her experience had brought on board some lyrical dance skits in Bharatnatyam.  Here’s her rich experience:

    1. Shruti Sheladia brings her specialization in Classical Bharatnatyam from Abhinaya School Of Bharatnatyam from New Jersey to Grace and Grooves.
    2. She has been a very successful performer ever since the age of 6 and has performed in several awards winning shows in New Jersey such as Rutgers University NATYA- Indian Classical Dance Team and Rutgers RAGA – Raas and Garba Team. She has also danced for AATMA Performing Arts(New Jersey).
    3. She brings an amazing experience of 5 college level titles in classical, modern folk and fusion categories to Grace Creations and these titles are not counted towards the company achievements until now.
    4. She specializes in Bharatnatyam, Bollywood, Contemporary, Modern Folk-Fusions, Modern Folks, and Lyrical. She likes to spend time with family and friends and has a degree in Computer Science.
    5. Performances to represent Grace And Grooves – Chhailaji, Lyrical: Abhinay.  Bharatnatyam.

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.

Musical Dance Drama-2017….

Inspiration was an Indian-Movie. You read it right!

Dil To Pagal Hai(1997) Starring Shah Rukh Khan, Madhuri-Dixit Nene, and Karishma Kapoor under the direction of Yash Chopra. Though not much into movies, Mrs. Hetal Nagaraj was very selective back then about feeding her eyes when it comes to the magic of Indian Cinema(Bollywood). To sit that long for a movie was a non-sense deal to her back then. But a musical drama as part of the movie itself had her all excited and she watched it finally in 2001 and it never left her mind. She thought maybe she could do likewise in Indian Folk Dances, Bharatnatyam..some day if she would get to do it!

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Testing Waters of Musical Drama in Recital 2017 with Role Play of Guest Artist with Bollywood Beginners. May 2017. Picture Courtesy: Phani Pydimaari, Picture Captions and Edits : The Grace Effects.

The whole idea of musicals in Indian Folk Dances and Bharatnatyam(or any classical dances of India) existed back then too. These had very matured audiences and trained performers back then. There were several musical ballets happening in the city(Ahmedabad, India) with the elements of Nritya and intricate elements of Natya combined very beautifully! Mrs.Hetal Nagaraj had watched several notable works from some of the most well-known theater productions to recorded-live musicals by amateur artists/college students for fund-raising activities on women-upbringing, child-marriages, religion riots in Ahmedabad city areas and so on!

But all these years, as if it took its own time to get into the plan of action. 2017, she came back home with a big YAHOO after a chaotic day of a culture community event organized by Indian Association of North Texas, Dallas-Texas(USA). She finally did it in a public community event(India-Day 2017) in Dallas-Texas(U.S.A) under 5 minutes with props!

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                                                                                                                                        Indian Folk Dance Category and Fusion Category – 2017 Public Performance. Picture Courtesy-The Grace Effects(Added here-Feb 5, 2017)

Not 1, but 2 of those musicals in Indian Folk Dances and Bollywood-Fusion Dances Categories. She took up this challenge when the songs that were ready to go on stage had her scratch the head! And she asked, why not? We had done a mini-version of it in Recital 2016 to test the waters. And so January 21, 2017 was a big day! It was challenging to get all the props all the way to the stage. Thanks to our choreographers Mansi Chauhan and Deepthi Chandrasekaran who made themselves available last moment and it worked out just well. The only challenge was that it was a public event and it was not in their control unlike Recital 2016! However, Choreography and set-up was already planned as most of the students knew their part well enough as it was work of our Recital 2016 : Dance of Gods featuring Adi-Shakti in their own categories. But the Yahoo part was that they managed to cover all the Navarasa (The 9 Moods) as per Natya-Shastra in both the category dances without breaking the rules of any category and yet keeping it creative enough for community fun-performances. Not about perfection but basic requirements were met.

We were able to keep intact the dance categories that our students were trained in(their joined programs). As per our research, it has never happened in Dallas-Fortworth Areas(until 2017 January) and that makes us very first people to do it(Yes!). We have seen dance lessons been taught in the name of Folk, Bharatnatyam and yet ended up showcasing just plain Bollywood Stuff.

Just how she had to believe one more time in all the training that she did in past and all that she had taught to her students. It went well and smoother than she had expected for what was in her control. Fundamentals never run out of fashion and formulas don’t change! It will teach you not only common sense but there is a reason why rules exist in pretty much in any performing arts. If you follow fundamental elements of Indian performing arts(Natya Shashtra in this case) then you will cover pretty much everything with little efforts. Creativity is just an added element to it. 

Dil To Pagal Hai-True, we mean it. Now, you call that a Phrase, Bollywood Movie Name, Indian Folk Dance or Classical Bharatnatyam-none of our business. Don’t come after us for this!

Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2017.  This material may not be published, broadcast, rewritten or redistributed without permission. 

http://www.graceandgrooves.com                 Phone : 972 979 2559                    info@graceandgrooves.com

Dance Projects By Grace And Grooves (Exclusively To Schools Only).

Just as our artistic director Ms. Hetal Nagaraj had the opportunity to learn from her own schools and colleges during her entire academic life, she just follows same here. A little give back to her kids’ schools other than her active PTO involvements such as Vice President PTO, Cultural Committee Coordinator, and Staff-Event Coordinator.

Focusing on just one country(India) is an easy job in India where the diversity/culture in forms of Indian Folk or Cultural Dances makes sense as in regions or states of India when celebrating India’s Independence Day or Republic Day or school annual day. This is not really a possibility in Dallas-Texas charter schools(USA) where every other student studying in school is from the different country with absolutely no common culture grounds! With this global diversities, imposing an Indian Performing Arts or even using Indian music wasn’t a good fit.

But, efforts were paid off when the parents opened their doors to do some creative works as long as it was limited to school environment and shows. Most dancers who joined this program had never danced before or had never even moved themselves to the tunes of music. From selecting the music, costumes, moves and the makeup standards were as per school guidelines. The performance was to appeal not only most/all demographics depending on the school, and the environment but also must fit the guidelines of the school. Dance lessons happened throughout the academic year following the school guidelines and calendar.

Finally, we could get a decent 4-5 min of presentable creative works by the end of the year. Kids loved it and parents admired it.  Grace And Grooves had undertaken these fun creative projects with the following schools:

Below are the pictures of performances from both the schools. These pictures are released based on parent’s consent forms signed exclusively for Grace And Grooves releases Only.

Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2017.  All Pictures posted here are with an exclusive consent of participating students, parents or school staffs. This material may not be published, broadcast, rewritten or redistributed without permission. 

Performances in 2015 and Before

Indian Folk Dances, Bollywood and Bharatnatyam

Our Founding Member Hetal Nagaraj performs regularly for Bharatnatyam, Folk Dances of India And Bollywood

Past Performances of Grace And Grooves. List of paid and unpaid public events – 2015 and before in no specific order of occurrences and numbered per event/not by number of performances):

  1. Grace And Grooves performs at Plano Library, at a Diwali Event (Organized by Independent Groups). Ms. Mansi Chauhan offered Bollywood Workshop-Age Group 4 to 8 Years.
  2. Grace And Grooves performs at an invited event organized by DFW-Hindu Temple, Irving-Texas featuring Semi-Classical Bharatnatyam-Bollywood Style , Bollywood-Folk, and Bollywood Performances.
  3. Grace And Grooves performs Bharatnatyam(Shabdam/Shabhdam), Garba, and Bollywood Dances in a walkathon organized by CRY America Inc in Irving-Texas.

    Folk Dances of India, Bollywood and Bharatnatyam

    Bollywood, Bharatnatyam and Folk Dances of India at CRY America Inc walkathon in Irving-Texas.

  4. Grace And Grooves performs Bharatnatyam (Art-work), Bollywood and Fusion at Iskon-Dallas at a sponsored event.
  5. Grace And Grooves performs Lavani, Garba, Ghoomar/Ghummar, and Folk tale lyrical in Dallas-Texas for Dallas Catholic Charities in Dallas-Texas.
  6. Grace And Grooves performs Bharatnatyam(as guest artist, Allaripu) in competition where Ms. Hetal Joshi was judge for Non-Classical Category-Dallas, Texas. (2011)
  7. Grace And Grooves performs Garba, Bollywood Dances, and Lavani in May Festival -Fortworth.
  8. Grace And Grooves performs Bharatnatyam(Pushpanjali-Guru Vandana), Tollywood Dances, Bollywood Dances, Folk Lyrical in Dallas International Festival, Dallas-Texas.
  9. Grace And Grooves performs Kalbelia, Kshatriya, Tippani and Bollywood Dances in Plano, Texas at an International Festival representing India.
  10. Grace And Grooves showcased art-works (Garba of Smt. Indu Mangrola) and Semi-Classical Kathak in Tarrant County-College, Arlington-Texas.
  11. Grace And Grooves performs Bharatnatyam(Thillana), Bollywood Dances, Rajasthani Folk Tale(with Chirmi) event organized by DFW International in Addison, Texas.
  12. Grace And Grooves performs Gidda, Bhangra(Beginners) and Bollywood performances at Ram Mandir-Plano Texas.
  13. Grace And Grooves performs Bollywood Folk, Semi-Classical Kathak, Bollywood Hip Hop, and Bhangra at an event organized by Indian Association of North Texas, Dallas-Texas.
  14. Grace And Grooves performs Teratalli, Garba, Ghoomar/Ghummar, and Chirmi in Fortworth Festival-Forworth.

    Folk Dances of India

    One of our Elite, Trained Gymnasts

  15. Grace And Grooves performs at inaugural function with Bollywood Fusion, Koli, Lavani, KummiAdi, Bihu at a sponsored event in Colleyville, Texas featuring Cultures of India. PAID Performance.
  16. Grace And Grooves performs Bharatnatyam(Jatiswaram)in Grapevine-Texas for Diwali event organized by Denton Association.
  17. Grace And Grooves performs Raas/Dandiya, Bollywood-Retro, and Fusion Tap w/Bollywood in association with Dance Workshop at Lewisville Grand Theatre(Lewisville). Students were avid Tap/Jazz dancers trained for more than 2 years at Coppell Dance Center(Coppell) and later at Prestige Dance Center (Lewisville), Texas.
  18. Grace And Grooves performed Bollywood-Lyrical, Lezim, Bollywood Bhangra, and Bollywood HipHop at Chinese Festival in Arlington, Texas.
  19. Grace And Grooves performed KumiAdi, Garbi, and Bollywood Dances, organized by DFW International in Addison-Texas.
  20. Grace And Grooves performed Lavani, Bollywood Dances, Semi-Classical (Bharatnatyam), and Tollywood in International Travel Show-Global Beatz Stage-Dallas, Texas.
  21. Grace And Grooves performed Chirmi, Bollywood, Rumaal Dance, Bharatnatyam(Lyrical Artwork) at World Fest, Addison-Texas.
  22. Grace And Grooves performed Fusion of Tap, Bollywood Hip Hop, Nepali Folk and Rajasthani Folk Tale in Grapevine Texas by Denton Association.
  23. Grace And Grooves performed Folk-Fusion, Bollywood Dances, in Plano-Texas. Students were avid Tap/Jazz dancers trained for more than 2 years at Coppell Dance Center-Coppell and later at Prestige Dance and Performing Arts Centre(Lewisville), Texas.
  24. Grace And Grooves performed Bharatnatyam-Ballet Fusion in DFW Hindu Temple, Irving-Texas. Students were trained in Ballet from Ballet Academy of Texas-Coppell, Texas.
  25. Grace And Grooves performed Fusion at Indian Association of North Texas, – Dallas Texas: Tap, Jazz, Gymnastics, Salsa, Bollywood and Folk. Students were trained or were avid dancers/gymnasts in Tap, Jazz, and Gymnastics, from Ballet Academy of Texas-Coppell, Coppell Dance Center/ Prestige Dance and Performing Arts Centre (Lewisville), and gymnastics studios respectively. Ms. Joshi took required Salsa Personal Training from a Master Choreographer at Arthur Murray Dance Studio (Plano). Please do not copy our artwork without training. It may harm your child.
  26. Grace And Grooves performs Bharatnatyam/Tap Fusion, Bollywood Dances, Kumari (Indian) Semi-Classical in Addison, Texas event organized by DFW International. . Students were avid Tap/Jazz dancers trained for more than 2 years at Coppell Dance Center-Coppell and later at Prestige Dance and Performing Arts Centre(Lewisville), Texas.

    Classical Dances of India-Bharatnatyam, Bollywood, Folk Dances of India

    Detailed workshops and performances at American Mensa by our founding member, Hetal Joshi.

  27. Grace And Grooves (Ms. Hetal Joshi) performs for consecutive 3 days in Culture Cowtown Event (National Gathering) organized by American-Mensa at Fort Worth-Texas, for Classical Dances of India, Folk Dances of India and Nepal, and Bollywood Dances. The performances featured Bharatnatyam (Kalashetra/Pandanallur), Fusion, Semi-Classical, Bollywood and various Folk Dances of India with variations in styles and techniques with time-line. Folk Dances of India discussed were – Garba, Raas-Dandiya, Gidda, Garbi, Bhangra, Lavani, Kshtariya, Lezim, Koli, Dumhal, Tribal Dances of India, Chhau, Sambalpuri Folk, Rumali Dance, Tippani, Matki, Bhavaai, and many more were showcased with variations/types, techniques and costumes. An educational workshop was also given after the performance with LIVE participation from audiences to American-Mensa Members on the all of above with and without costumes/jewelry. Over 30 Mensa members participated in the event of which a few were performing arts major.
  28. Grace And Grooves performs and gives workshop at Uplift Education – Summit International Preparatory, Arlington-Texas featuring Bollywood Dances, Choppai-Bollywood Style.
  29. Grace And Grooves performs at Independence Elementary, Lewisville featuring Tollywood Performances-Semi-Classical Style , Bollywood Dance.
  30. Grace And Grooves performs at Harmony School of Innovation, Carrollton featuring creative fusion styles.

    Bollywood Dances

    Uplift Education-Summit International Preparatory, Arlington-Texas. Workshop and Performances

  31. Grace And Grooves performs at Isaacs Early Childhood School featuring a neo-classical fusion and bollywood dances.
  32. Grace And Grooves performs at Universal Academy, Coppell featuring Bollywood Dances.
  33. Grace And Grooves performs at Castle Hills Elementary, Lewisville featuring various Bollywood Dances such as Medley of creative Modern and Traditional Bollywood Dances and fusion of Ethnic Rajasthani Folk dance styles.

Grace And Grooves holds exclusive rights for all the pictures being posted with permission of organizers for exclusive Grace And Groove use only.

More as we dig in our files…We enjoy performing and doing workshops so that you can enjoy reading/seeing pictures. 

Early Training-Raised with Standards

Cultural diversity becomes lifestyle when you are brought up in Gujarat where business, commerce, equal rights/safety to women, and acceptable knowledge of regional language attracted educated people from all walks of life, other states of India and across the borders too! It automatically becomes a blessing when you are born and raised in such environment and obviously, dance cannot be ignored for somebody who is a lifelong student of performing arts. With all this migration of quality people, t’was a norm to hear news of some cultural association (at times not even registered) celebrating their festival every month and dance being part of it. Gandhinagar(capital of Gujarat)is place where people migrated for government jobs (strictly via entrance exams or transfers) so obviously more than 90% of population is educated to some decent level of education or had thorough knowledge of performing arts as Govt. of Gujarat had opened its doors to several non-profit organizations and associations to promote art & culture of India along with just nurturing Gujarati culture. Some migrated to Ahmedabad (main business city) for business or professional careers (esp. educated women and young girls) due to equal opportunity and safe environment for working women/college girls.

Theme Based Performances

Recent Release Picture/article (2015-2016) of Annual Show by St.Xaviers School, Gandhinagar. For over 40 years, school has been celebrating focusing to various themes. Trainings are provided by local dance teachers or professional instructors whose students study @ the school.

From small pocket size dance schools, passionate dancers w/dance academies (such as Darpana) to educational schools (such as St.Xaviers & Mt.Carmel Convent Schools), had their own events planned through out the school year such as annual day, sports day, teachers day, their inter-school competitions/Odyssey, Eid, Diwali, or Christmas. At least twice a year, schools supported major city events such as Independence Day, Republic Day or any other extraordinary events happening in city! Whole city along with renowned artists from performing arts and govt. delegates were invited so training had to be given to students. Events would either happen at city hall or helipad so the costume requirement, dance props usage was compulsory pertaining to dance. The entire show was about glimpse of India where in at least 5-8 minutes of stage time was exclusively given for each performance with a detailed description of state/region or culture (at-least one type of) identification and choreographer/trainers name if they permitted to be announced. Participation levels were close to 99% as they were absolute FUN! Schools encouraged students to participate by giving extra marks as in cultural activities. The instructors were invited to offer these classes most of times at very nominal price for schools or was free if your group/classroom chose to do it strictly under school name. The program would then end with some stunts by Indian Air-Force pilots, parades and salute to Indian heroes.

All of that doesn’t happen in day or just 10-12 classes! Folk Dances of India are not like Bollywood dances where you can have somebody dance on song and you got it! None of the techniques of Folk Dances of India has any basic movement that matches in anyway if you were to focus on learning folk dance, even it is for fun! It is not possible. As we(Ms. Joshi) remembers after-school practices 2-3 times a week for at-least an hour or two in corridors of school. That is 6-8 hours per week of commitment, at times non-stop through out the year. It wasn’t about perfection; it was about fundamentals because you were to show that in front of knowledgeable audiences and LIVE telecast by various TV channels. Those were our school years!

The dances during those times for these events were never Bollywood dances as Gujarat had a very well established line-up of events by various organizations/association and government departments that would conduct folk dance competitions and had attractive prizes as in cash prizes plus hotel discounts, household appliances and memberships to family clubs such as YMCA, Rajpath, and Rotary Clubs. We are talking of lakhs of INR rupees and not just a couple thousand rupees or a trophy with a picture! Judges were from various tourism departments to PHD holders or Masters degree holders in performing arts or were dance professors/teachers in college/universities. These events were frequently organized so any group that called for avid dancers was a grab & go opportunity for pretty much any student in college who loved to dance. At times, we planned our choreographies right after we got the win if it was 2nd or 3rd place to not miss on our bigger share of pocket money-as we called it! Creativity was an absolute requirement in choreography, techniques, and costumes along with other factors in such a tight competition without forsaking fundamental basics of dance form.

Obviously Bollywood did not stand a chance in this! Back then; Bollywood was referred as hindi movies with beautiful songs/lyrics and not really about dance due to dominance of above competitions in the field of performing arts. Nobody wanted their daughters to dance like Helen or Bobby as in Dimple Kapadia, or boys to dance like Mithun Chakravarti, Jitendra (no-way) but rather Hemamalini, Sridevi had set examples of Bollywood style of classical dances where Bharatnatyam had gained popularity and for budding artists, singing classes would go in full-thanks to our Kishor Da & Gulzar! Obviously, as we further embraced western cultures, Madhuri Dixit Nene, Sridevi, Meenakshi Sheshadri and such other dancers made their way to introducing modern dance moves successfully in-spite of being trained classical dancers and we can only imagine how much work they must have put in to achieve all of that in lime-light!

None from ALL of the above is a day of work or few classes’ work! It was more than that. You’ll know when you have gone through it just as we know it and so our students learn it, just as well. This is applicable to all recreational programs or private groups as well depending on program you join at Grace And Grooves.

While competition programs such as Grace And Grooves Elite Teams are for those who want to learn how to handle it with pressures and would like to make it as their way of life, like it is ours.

Our elite dancers are trained in least 2 dance forms (Not Bollywood) for at-least a year as a routine, or at professional & competitive level to bring them at our Elite level & ignite their creativity.

After all, dance is all about having fun and we like to keep it that way!

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.

Our Story – How, when…. Grace And Grooves Started. And Why us ?

Any kind of Indian Dance, be it Bharatnatyam, Folk Dances of India or Bollywood was NEVER mainstream career in India and neither in Ms. Hetal Joshi’s family.  Right after 1999 when Hetal Joshi Nagaraj(Founding member) stepped in freelance private group choreography for Folk Dances of India (competitions), there was no looking back indeed. But these competitions demand creativity, dramatic appearances & intricate choreography thereby following the rules of your chosen dance form. This means that it involves hours of training even before the actual choreography work starts. You can only imagine the work required for competitions if you were to do it as a mainstream career with your own mainstream studies. So, it was once or max twice a year exclusive work for competitions only.

So, was this the reason that company was established? Nope.

Way of life made a way of life when her 3.5-year old-daughter started dancing (not moving) to Krishna Bhajans at Hare Krishna Temple of Dallas, Texas (ISKON of Dallas, Texas-USA). The crowd turned heads when she “danced” and people asked if she took lessons and when she started dancing. Her daughter happened to pick these folk dance steps while Ms. Joshi was teaching a competition group. She then started teaching her daughter just as any (trained teacher or)mother would do with proper training. But, she felt that her daughter needed more structured program of folk dances, if there was anybody doing it as mainstream. After trying a dance school/academy (for 2-3 years w/group & private in Plano & Irving) that claimed to teach authentic, creative or curriculum based Folk Dances of India, Ms. Joshi just couldn’t find ANY other in entire Dallas Fort-worth areas. You-Tube videos as Guru, copied resumes of other trained dancers & even copied choreography (Bollywood mostly)-of unpublished works of other artists seemed like a practice to this so called folk-proclaimed gifted artist. All of this @ the cost of parents and students’ who are ignorant to Folk Dances of India and would consider Bollywood or even community folk as actual folk dances! What ? The artist would then get their way out of all the blames by just doing govt. services-shocking and above all – shameful! Indeed an exhilarating & fraud experience from a senior artist it was! Not as expected when we joined folk program! A simple fact—you can’t call yourself a doctor coz you know dosage & medicine names or you saw a surgery on you-tube and thus open a clinic @ home! Can you? We wished ;).  For an untrained eye will identify community dances as pure or modern folk, the so-called—“Hey, I know Folk Dance-pride” just crashes before the trained eyes that look for basic folk-requirementsMore than 99% of videos on You-tube are entertainment videos in the name of folk & don’t reflect the right elements of folk! Content 6 History

So, with training, in-depth knowledge, and competition experiences in competition that we already had (Ms. Hetal Joshi), we opened our doors to teaching authentic, certified folk dances of India to outside students and public altogether. Grace and Grooves, name itself was a recommendation from the audience where prominent dance teachers participated and only Ms. Joshi’s advance dancers did not have name when asked. Grace and Grooves it was then in 2012 when the company was finally registered in Dallas-Fortworth (DFW) as LLC with the State of Texas, USA. Since then, Grace and Grooves is focused on providing structured programs for Folk Dances of India, Bharatnatyam and Bollywood. Certified programs are available if you want to make it a part of your life just as it is ours for generations! These programs receive continuous mentorship from lead dancers, junior & senior artists in India who do it as mainstream career either as gifted dancers (Bollywood) or as trained dancers (All genres). A consistent passion to compete in Pure and Modern Folk Dances of India to NOW a full-time certified business offering Bharatnatyam, Bollywood and Folk Dances of India. This is something like “the forgotten-once upon a time vision” in performing arts that actually came true! In 2016, Grace and Grooves was accredited by BBB(Better Business Bureau) so that you learn from the right people, just the way it is, in the right way & yet be just as creative enough, wherever required! After all, we want to introduce our kids-India’s beautiful culture, so that they don’t forget their roots and most importantly love to embrace it. The Right Folk Dances of India–Not the You-Tube videos!.

So Why Grace & Grooves ?

All of above….PLUS How you want your child’s talent to be judged. Based on govt. service that a dance teacher does, their partnered businesses, and copied unpublished works of other artists ?

OR 

You want your child’s dance talent to be judged based on their own ability/talent because of training & by right people ?

Choice is YOURS!

Make your $ worth of where you spend! Common sense, culture knowledge is taught FREE with all our trainings just like the way we learned from our institutes and yet look beyond possibilities, wherever/whenever required!

God’s grace, this definitely answers as to why your child should enroll with Grace And Grooves.

Copyright Reach Media for Grace And Grooves | Grace Creations | 2012-2017. This material may not be published, broadcast, rewritten or redistributed without permission.